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Andy Serkis's Animal Farm adaptation criticized as defanged happy ending overhaul

moviesJul 16, 2026752,732

In The Guardian review critics say Andy Serkis’s 2026 animated adaptation of George Orwell’s Animal Farm, written by Nicholas Stoller and running 94 minutes, neuters the novella’s Stalinism allegory with a sugary, Disney-style happy ending. The review singles out voice performances by Seth Rogen as Napoleon, Laverne Cox as Snowball and Glenn Close as a newly invented human agribusiness figure called Pilkington. The film stages the pivotal pigs-and-humans look-alike moment around the one-hour mark rather than at the finale, then sends Napoleon to a cartoonish comeuppance when a band of young animal rebels sets the farm on fire. After the blaze survivors regroup on a previously unseen riverside and solemnly vow not to trust leaders like Napoleon or Snowball, undercutting Orwell’s original bitter conclusion about revolution and totalitarianism. The Guardian also criticizes the film’s “cheapo” digital look and says the adaptation subtracts the book’s rage, satire and meaning rather than reinterpreting it. The review frames the changes as a betrayal of Orwell’s purpose, arguing the new third act and invented human corruption amount to a blandifying overhaul of the source’s political message.

Jessie Gender
@jessiegender.bsky.social

Increasingly, Serkis makes me feel like he’s making this movie for the toxic bros. Pro-AI, all-white cast, ignoring Tolkien’s real words for the vibes-based mythologizing of him; all shit toxic bros love. He also made the Animal Farm movie that completely missed the books anti-authoritarian point.

Variety tweet with a picture of Gollum from LOTR that reads - Andy Serkis gets asked why his "Lord of the Rings: The Hunt for Gollum" cast is all white actors and says: "I don’t think we will be doing a politically correct just-casting-for-the sake-of-casting-and-ticking-boxes version of the film."

“Tolkien himself was influenced a lot by Norse mythology, there’s a lot of that feeling. The Shire feels very, very much like a very, a very white, you know… They’re not very concerned about what goes on beyond the borders of The Shire, but they know they don’t want people coming in. Yes, there have been criticisms [about a lack of diversity]. This particular film is somewhat acknowledging that. But I don’t think we will be doing a politically correct just-casting-for-the sake-of-casting-and-ticking-boxes version of the film. So, it’s where relevant basically." (via BBC)

variety.com/2026/film/news…
5174h ago
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